Author

Wayne Mendoza
Coder, Texter

  • Known as active in 1991-1997
  • Country: Germany
  • Known as member of TRSI in 1993, Aspect in 1991-1992, Masque in 1992-1997

Jobs in Releases

  
# A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
showing 1 to 10 of 27 matches from 87357 total entries1 2 3
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Title Group Category Year
downloadA New Intro
Job: Code
Aspect
Demo
10/91
added 2/95
downloadBanshee AGA
Job: Code
Delirium
Crack Intro
no music - in family
v7/94
added 11/07
downloadBattle For The Ashes (2)
Job: Code
Delirium
Crack Intro
in family
v12/94
added 3/11
downloadBeneath A Steel Sky
Job: Code
Delirium
Crack Intro
no music - in family
3/94
added 1/08
downloadClassic Arcadia & Baby Arcadia
Job: Code
Delirium
Crack Intro
no music - in family
v1/95
added 3/10
downloadCoop
aka Our New Intro

Job: Code
Aspect & Orix
Demo
6/91
added 3/95
downloadCreate and Shade v2.53
Job: Code
Aspect
Crack Intro
in family
cc11/91
added 1/18
downloadD-Day - The Beginning Of The End
Job: Code
Delirium
Crack Intro
no music - in family
6/94
added 1/08
downloadDetroit - AGA
Job: Code
Delirium
Crack Intro
no music - in family
a8/94
added 1/08
downloadFastray v1.0
Job: Code
Aspect
Crack Intro
in family
a11/91
added 3/12

Interviews with Wayne Mendoza

Interview found inTypeAuthorYear
downloadShowtime 8Diskmagazine
AGA Chipset required - interviews
Darkage
Bytebreaker - Chris - Cueder - ...
12/97
Interview found inTypeAuthorYear
downloadsHeadline 1Diskmagazine
interviews
Stone Arts
Aragorn - BCR - Bembas - ...
a9/93
added 2/95

Interview Text

   Celebrity: Wayne Mendoza/Masque
-------------------------------------
by Dolphin

"Tell us about your favourite demos?"

        Wayne Mendoza/Masque

Yum  !   I  know quite a lot of demos
which  are  really  cool.   First  to
mention "Desert Dream" by Kefrens.  I
would say that`s really the best demo
I   ever  saw  in  my  life.   Really
EVERYTHING    fitted   together   and
resulted   in   a   piece   of  great
entertainment.  I don`t know how many
times I watched it, but I think quite
ofte
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